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2018 items
  • Stock: 15586

    An early 19th century pierced steel fender with three rosettes and beaded edges.
    English, c.1820.

    View our collection of: Antique Fenders, Firescreens and Nursery Guards

    Width Height Depth
    52 1316"
    134 cms
    6 14"
    16 cms
    15"
    38 cms
  • Stock: 15583

    An elegant oval gilt wall mirror, surmounted by a scrolling cartouche and a cascade of flowers. The egg and dart frame meets the original bevelled glass with a dainty beaded edge. The gilding has been rubbed back to give it a subtle glow.

    French, mid 19th century.

    View our collection of: Antique mirrors

    Width Height Depth
    29"
    73.7 cms
    42"
    106.7 cms
  • Stock: 15582

    A grand French Louis XVI gilded overmantel mirror with a cartouche forming the crest, from which emanate sprigs of loosely ribboned laurel. The rest of the frame is decorated with a tightly bound laurel design, very much in the French tradition. The gilding has been deliberately distressed to partially reveal the warm red ground.
    French, c.1880.

    View our collection of: Antique mirrors

    Width Height
    49 316"
    125 cms
    66 78"
    170 cms
  • Stock: 15575

    A set of three nineteenth-century fire tools with decorative gilt bronze knopped handles and a simply pierced shovel. English, c.1850.

    View our collection of: Antique Firetools.

    Width Height Depth
    6 12"
    16.5 cms
    30 1116"
    78 cms
    2 1316"
    7 cms
  • Stock: 15508

    A good example of an early twentieth century time recorder clock in an oak case, serial number 51947. The glass door panel bears the words, "National Time Recorder Co. (Patentees) Blackfriars London. S.E.". The clock face with Roman numerals is set within a wood frame and bears the name "National Time Recorder Co. Ltd. Aquinas St, Stamford St. London EC1". beneath which is a small metal plaque stating "Local service, The National Time Recorder Co Ltd. Phone: Central 3655 . This Time Recorder is in full working order.
    English, circa 1935.

    Notes: Time Recorders like this one would have been used to record the times workers came in and out of their place of work. The National Time Recorder Co. Ltd (incorporated in 1917, company number 146424, though possibly founded around 10 years earlier in 1907) was one of the two largest UK manufacturers of time recorders. The head office and factory was originally based in Blackfriars London, and moved to the Lagoon Works in St Mary Cray (Orpington) Kent in 1951, on the site of the Blue Lagoon swimming pool which had been damaged during the war. Other branches were established in London, Birmingham, Bristol, Dublin, Glasgow, Leeds, Manchester, Newcastle-upon-Tyne and Sheffield. [Source: World Clocks]

    Width Height Depth
    12 12"
    31.8 cms
    42"
    106.7 cms
    11"
    28 cms
  • Stock: 15553

    A pair of large gilt bronze triple branch candelabra in the Louis XV style, ornately cast with foliate motifs and with elegant tapered stems and scrolled feet mounted on a shaped plinth. French, mid 19th century.

    Width Height
    8 1116"
    22 cms
    23"
    58.3 cms
  • Stock: 15546

    A Victorian giltwood overmantel mirror, with rounded corners and a carved surmount of Rococo form above the simple egg and dart frame. English, c.1880.

    Width Height
    42 18"
    107 cms
    65"
    165 cms
  • Stock: 15544

    A magnificent 19th century Oxblood or "Sang de Boeuf" jardiniere on stand, with a lobed planter supported by a base mounted with three griffin monopodia with paw feet.

    Attributed to Pierre Clément Massier. French, c.1880.

    Notes: Clément Massier was born into a family of ceramicists and took an interest in the business from an early age. His factory-gallery complex in Golfe Juan became a destination for the elite who summered in Monaco, Nice, and Cannes. He was awarded a gold medal at the Paris Exposition Universelle in 1900 and subsequently became an of official supplier to the British crown.

    Sang de boeuf glaze first appeared in Chinese porcelain at the beginning of the 18th century. In Europe, many companies tried to replicate the glaze, and it particularly took off in France.

    View our collection of: decorative antiques and furnishings

    Diameter Height Inside dia.
    13"
    33 cms
    33 18"
    84 cms
    8 78"
    22.5 cms
  • Stock: 15548

    A rare pine and composition chimneypiece by Richard Foster of Edinburgh. The chimneypiece is a celebration of the Scottish coast, and painstaking care has been taken to render the sea life and flora with a great deal of accuracy. The composition decoration has also been carefully wood-grained to make it appear like carved pine; this finish is a great survival.
    The inverted breakfront shelf sits above a band of composition moulded into acorns and mushrooms, and the frieze is decorated with swags of ribboned bellflowers in the neoclassical taste. Between these swags is the unusual detail of a fan of seaweed at their centre, a request of the patron no doubt.
    The central tablet has a floral ribboned swag studded with roses and other small blooms and the centre is filled with a spray of flowers and ferns within a woven basket. The endblocks feature a bound posy of roses and the jambs are decorated with trailing oak leaves and acorns. A very fine thing.

    Scottish, c.1800.

    Notes:
    Richard Foster was born in Canonbie, the Scottish Borders, in 1755. At the age of fourteen, he was recorded as having a bank account in London, presumably as he was serving as an apprentice there, perhaps to the Adam Brothers as they too were in London at this time. In 1785 he returned to Edinburgh, working as a "joiner" and married to the daughter of a wealthy leather merchant. His chimneypieces were sold not only in Scotland, but in the USA, a bold move only a few years after American Independence was declared! This is perhaps why he avoided becoming a prominent figure in Scottish social and intellectual circles, as selling to Britain's former colonies would have been regarded as treachery in many cases. The pine and composition chimneypiece he perfected made the rational principles and beauty of classicism affordable to the growing mercantile and professional class emerging in the 18th century. These clients wished to express their cultural understanding through objects that conveyed the principles they admired, the chimneypiece was one such highly prized object. The Adam brothers (Robert and James) were well known for promoting their designs to the masses, and it is the pine and composition chimneypiece they made for the emerging middle class in Edinburgh that have become synonymous with the "Adam Style". However, Foster was a true master of the technique, and his designs are some of the most delicate and finely manufactured ever made.

    View our section showing full range of neo-classical chimneypieces

    Width Height Depth
    External 66 12"
    169 cms
    58 12"
    148.6 cms
    7 14"
    18.6 cms
    Internal 48 18"
    122.3 cms
    45 1116"
    116 cms
  • Stock: 15537

    A very elegant Regency pine and gesso chimneypiece decorated in the Adam style. The inverted breakfront shelf is decorated with a beaded cornice and sits above an elegant frieze decorated with opposing gryphons holding ribbons of bellflowers in their beaks, centred by urns on stands. The tablet is more naturalistic, with Venus and attendants depicted in a pastoral landscape. The slender endblocks are decorated with classical urns on stands, and rest above the gently fluted pilaster jambs.

    English, c.1810.

    View our section showing full range of neo-classical chimneypieces

    Width Height Depth
    External 73 316"
    186 cms
    61 18"
    155.1 cms
    7"
    17.7 cms
    Internal 54 1116"
    139 cms
    48"
    122 cms
  • Stock: 15532

    An early 20th century century Chinese blue and white porcelain onion pattern table lamp, profusely decorated with a hand painted decoration of chrysanthemums, insects and scrolling leaves and mounted on a pierced patinated bronze base.
    Chinese, c.1910.

    ( shade not included )

    View our collection of: Antique candelabras, candlesticks and lamps

    Diameter Height
    5 78"
    15 cms
    13"
    33 cms
  • Stock: 15487

    A French gilt gesso wall mirror in the Louis XVI style, the crest centred by an oval cartouche which is bordered by a ribbon tied floral cascade and framed by two urn finials brimming with flowers. The gilt frame also features garlanded trophies and to the bottom, a lyre, a violin and sheet music. Original beveled mirror plates.

    French, c1850.

    View our collection of: Antique mirrors

    Width Height Depth
    36 38"
    92.5 cms
    54 14"
    138 cms
    5 18"
    13 cms
  • Stock: 15485

    An elegant pedestal, carved from an off-white and grey variegated marble, the circular top over a partially-ribbed cylindrical body, on a stepped circular and octagonal base.

    Early 20th century.

    View our collection of: Antique Columns, Plinths, Pedestals and Towers

    Diameter Height
    Top 10 38"
    26.5 cms
    39 58"
    100.5 cms
    Bottom 13"
    33 cms
  • Stock: 15519

    A very fine English 19th century giltwood mirror in the Florentine manner, with a beautifully carved frame of scrolling acanthus leaves. Original mercury glass.

    English, c.1850.

    View our collection of: Antique mirrors and console tables

    Width Height
    31 78"
    81 cms
    42 78"
    109 cms
  • Stock: 15433

    A superb Victorian walnut and solid ebony Gothic library table. This outstanding table is made especially rare by having solid ebony legs, stretcher and finials. The beautifully carved Solomonic legs and stretcher support a fine burr walnut top.

    This table is incredibly diverse, and can be used as a centre table, or even a desk.
    English, circa 1860.

    Link to: Antique furniture

    Width Height Depth
    54 14"
    138 cms
    29 12"
    75 cms
    33 12"
    85 cms
  • Stock: 15516

    A set of four Victorian cast iron garden chairs, with spoon backs featuring crisply cast decoration above circular seats cast with a radiating circular pattern and resting on elaborate cabriole shaped legs. This is not an identical set, as is formed form 2 very similar pairs. Very much in the Coalbrookdale style, and would work well as a patio set as they are very heavy.

    English, c.1880

    Photographs before restoration.

    View our collection: Antique, old vintage fountains, sculptures, garden furniture and statuary

    Width Height Depth
    16 12"
    42 cms
    32 14"
    82 cms
    20 12"
    52 cms
  • Stock: 15509

    A set of three Victorian brass fire tools, with Aesthetic Movement style pierced floral shovel and ribbed and knopped finial handles. English, c.1880.

    View our collection of: Antique Firetools.

    Height
    25 58"
    65 cms
  • Stock: 15507

    An ornate Renaissance Revival French Mirror with an imposing upper crest featuring a male mask, whilst the lower cartouche features the fearsome mask of a lion. The rest of the gilt and gesso frame is similarly opulent. The central bevelled mirror is also bordered by four champagne hued pieces of handmade mirrored glass.

    French, c. 1930.

    View our collection of: Antique mirrors

    Width Height
    38"
    96.5 cms
    48"
    122 cms
  • Stock: 15541

    An Art Nouveau Doulton Lambeth stoneware jardiniere on stand, decorated in shallow relief with a stylised flower pattern on a blue and green ground. Impressed marks and artist's initials. English, c.1910.

    View our collection of: decorative antiques and furnishings

  • Stock: 15506

    A set of four framed 18th century copper-engravings of exotic birds with original hand colour. This set comprises three engravings from George Edwards', Gleanings of Natural History Containing Figures of Quadrupeds, Birds, Insects, Plants, published by G. Sidney for George Edwards, London, 1758-1764. One engraving from Francois Nicholas Martinet's engraving from the Comte de Buffon's superb work, the Histoire Naturelle des Oiseaux, published in Paris from 1770 to 1786. These are two of the most important ornithological publications of the 18th century, Darwin being a great admirer of both.

    The birds are as follows:

    Francois Nicholas Martinet bird engraving, plate 289, of the "Tyran hupè, de Cayenne" which is Crested Tyrant Flycatcher from Cayenne.

    Frame: 28cm x 32.5cm Engraving: 19.5cm x 24cm

    George Edwards engraving, of "Huming [sic] Birds from Surinam, Published according to act of Parliament 1742 by Geo Edwards".

    Frame: 27.3cm x 31.2cm Engraving: 18.5cm x 22.4cm

    George Edwards engraving, of "The Chinese Teal", published circa 1740.

    Frame: 27.4cm x 31.2cm Engraving: 18.4cm x 22cm

    George Edwards engraving, of "The Alpestris, or Larkof North America" titled ALAUDA. Published circa 1740.

    Frame: 27.4cm x 31.9cm Engraving: 18.5cm x 23cm


    These engravings can be sold individually or as a set.

  • Stock: 15183

    A Dutch Brass Planter, with lion's mask and ring handles, embossed with two armorials and roses in the Tudor manner.
    19th century.

    View our collection of: other antique accessories

    Diameter Height
    15"
    38 cms
    13 316"
    33.5 cms
  • Stock: 15348

    A pair of 18th century Dutch Delft Faience blue and white vases of octagonal baluster form the covers with scrolling foliate finials. They are very finely painted in cobalt blue. The front panels decorated with peonies and willow trees within scrollwork cartouches the back panels with leaf sprigs on a white background. There are makers mark and initials to the base of each vase. Dutch, circa 1764-70.

    Link to: decorative antiques and furnishings

    Width Height
    6 1116"
    17 cms
    17 18"
    43.5 cms
  • Stock: 15324

    A simple and elegant bolection fireplace carved from a dove grey limestone. The polished and undulating surface reveals the subtle veining and mottling, which would be just as well suited to a contemporary interior as a period one. English, c.1930.

    Provenance: Removed from a property on Eaton Square, London.

    The Queen Anne style of the late 17th century saw the emergence of the simple bolection fireplace, often situated within a panelled room. It was far more simple in design that what had preceded it, and it was this striking simplicity that secured its enduring popularity.

    Width Height Depth
    61"
    155 cms
    47"
    119.5 cms
    3"
    7.6 cms
  • Stock: 15459

    A fine oak longcase clock by Philip Avenell of Farnham with later lacquered chinoiserie decoration. The eight day movement strikes the hours on a clear bell. The clock face has a 12 inch brass break arched brass dial flanked by ornate gilt brass spandrels. The raised silvered chapter ring is crisply engraved with black Roman numerals and Arabic five minute numerals to the outer aspect. The central dial has a subsidiary seconds dial, a date aperture and is profusely engraved with floral decoration. The maker's signature is signed within a cartouche. The chinoiserie decoration was likely added in the early twentieth-century. English, c.1780

    Notes: Philip Avenell was part of a 200 year dynasty of clockmakers based in the South of England. Watchmakers and clockmakers of the world’ by Brian Loomes records Phillip Avenell as working in London circa 1765 then in Farnham from circa 1775, roughly when this clock was made. Philip Avenell died in 1809.

    Width Height Depth
    18 14"
    46.5 cms
    86 58"
    220 cms
    10"
    25.5 cms
  • Stock: 15488

    A Pair of large Renaissance Revival patinated bronze ewers, with pierced, openwork decoration. They are likely to be cassolettes, with the pierced design intended to diffuse sweet perfume kept within them. They are mounted on red griotte marble base. French, mid 19th century.

    View our collection of: decorative antiques and furnishings

    Width Height Depth
    7 12"
    19 cms
    22 58"
    57.5 cms
    6 18"
    15.5 cms
  • Stock: 15480

    A decorative Afshar Persian carpet of relatively small proportions, the diamond shape central medallion framed by a golden border, echoed by similar tones throughout the floral decorative scheme. Iranian, c.1950.

    The semi-nomadic Ashfar tribe originated in North-West Iran, but are now located in the South-East of the country.

    Link to: Carpets and rugs

    Length Width
    66 18"
    168 cms
    57 78"
    147 cms
  • Stock: 15478

    A striking geometric Karajar carpet with three central medallions on a red ground, the border comprises a blue ground with nomadic style floral motifs. Iranian, c.1940.

    Link to: Carpets and rugs

    Length Width
    51 316"
    130 cms
    40 316"
    102 cms
  • Stock: 15354

    A set of steel 19th century fire tools, the knopped handles with a cast lattice decoration and the shovel elegantly pierced.
    English, c.1840.

    View our collection of: Antique Firetools.

    Width Height Depth
    5 12"
    14 cms
    30 14"
    77 cms
    2"
    5 cms
  • Stock: 15465

    An elegant Louis XVI style 19th century fireplace, crisply carved from Carrara marble, with a finely carved central foliate paterae flanked by the split panelled frieze. The paterae endblocks are of the same acanthus form, and are supported by flat, stop fluted jambs, which in turn rest on plain footblocks. French, late 19th century.

    Link to: Antique French chimneypieces inc. Louis XVI, French Empire fireplace mantels.

    Width Height Depth
    External 49 316"
    125 cms
    41 14"
    105 cms
    15"
    38 cms
    Internal 32 78"
    83.5 cms
    31 14"
    79.5 cms
  • Stock: 15418

    A large and ornate French 24 branch gilt brass chandelier. This chandelier embodies the Rococo style, its naturalistic form fashioned from entwined leaves and vines festooned with bunches of grapes. French, early 20th century.

    Diameter Drop
    39"
    99 cms
    41 1116"
    106 cms
  • Stock: 15390

    A small Statuary marble Regency style lion paw sculpture almost certainly once part of a fireplace. English, circa 1860.

    Link to: Antique sculptures, carvings, bronzes, plaques and tablets

    Width Height Depth
    6 316"
    15.8 cms
    4 1316"
    12.3 cms
    4 1116"
    12 cms
  • Stock: 14048

    A pair of early 20th century, textured glass painted windows in rectangular leaded metal frames, decorated with naturalistic ribboned garlands of roses and foliage to the upper section above flamboyant sprays of flowers arranged within twin handled urns. French, circa 1910.

    Link to: Antique Doors and Windows.

    width height depth
    29 14"
    74.5 cms
    61"
    155 cms
    1"
    2.5 cms
  • Stock: 14738

    A rare and monumental cast iron Coalbrookdale antique fire grate identical to fire grate SNo 14374. The elaborately scrolled backplate featues a Bagot Goat jumping a fence. The substantial basket, with a strapwork apron centred by a lion mask, is supported by a pair of large and powerful panther head standards.

    Provenance: The registration mark 65 The Coalbrookdale Company registered September 6th 1841 number 814 can clearly be seen on the back.
    English, early to mid 19th century.

    Notes: The Bagot goat is believed to be Britain's oldest breed of goat and has lived semi-wild at Blithfield Hall in Staffordshire for over six hundred years.The Coalbrookdale Company, a foundry in Shropshire established in 1709, is probably most famous for building the world's first cast iron bridge erected and opened at Ironbridge in 1780, but it was also noted for its decorative ironwork an example of which is a set of gates opening into London's Hyde Park. The blast furnaces were closed down around 1820 but the foundries remained in use.

    Please note that the back plate was once broken the damage can be seen under the goat. It has been strapped on the back, so the grate is still functional.

    Link to: Antique fire grates and log baskets.

    width height depth
    34 58"
    88 cms
    29 14"
    74.5 cms
    16 18"
    41 cms
  • Stock: 13122

    An imposingly large Jacobean Revival cedar wood antique fireplace surround with an exquisitely inlaid over mantel. This chimneypiece has a projecting pediment on the upper register which rests above a pair of strapwork panels beneath which are two high arched panels decorated with stylised ornate inlaid vases of flowers picked out in satinwood, mahogany, sycamore and ebony. The panels are set between three pairs of free standing, reeded columns with finely carved capitals terminating in tall strapwork feet. Beneath the over mantel is a fireplace surround, with a moulded shelf above a strapwok carved barrel undershelf, supported by a pair of tapering reeded jambs resting on tall footblocks.
    English, circa 1870.

    Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

    Width Height (Overall) Depth
    External 90 58"
    230 cms
    129 78"
    330 cms
    14 316"
    36 cms
    Internal 53 1116"
    136.5 cms
    60"
    152.5 cms
  • Stock: 15247

    A Thomas Elsley, polished steel and cast iron Georgian style fie basket. The arched fireback centred by an urn draped with bellflowers above a four barred curved grate, with etched shoulders, is framed by beading and surmounted by a pair of lidded urn finials above a pierced and etched apron. The twin tapering standards are etched and beaded and surmounted by a larger pair of lidded urn finials.
    English, late 19th century.

    Link to: Antique fire grates and log baskets.

    width height depth
    31 12"
    80 cms
    29 18"
    74 cms
    15"
    38 cms
2018 items