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2018 items
  • Stock: 15755

    An elegant 19th century Gothic Revival glazed bookcase of small proportions and excellent quality. The figured mahogany case is mounted with two pairs of glazed doors, both carved with fine tracery reminiscent of Gothic windows. Inside the bookcase, there is a total of six adjustable shelves, with fine mahogany nosings.
    English, c.1840.

    This bookcase would sit well at the side of a chimneybreast, and is a very useful piece of furniture.

    View our collection of: Antique furniture

    Width Height Depth
    43 14"
    110 cms
    95 1116"
    243 cms
    18 12"
    47 cms
  • Stock: 15651

    A beautifully veined carrara marble Regency bullseye chimneypiece, with a crisply reeded frieze and reeded jambs.
    English, c.1820.

    View our collection of: Antique English Regency chimneypieces inc. George IV fireplace mantels.

    Width Height Depth
    External 50 316"
    127.6 cms
    44 14"
    112.6 cms
    7 1316"
    19.8 cms
    Internal 30"
    76.3 cms
    37 58"
    95.4 cms
  • Stock: 15789

    An elegant neoclassical revival statuary marble chimneypiece, with Connemara marble inlay. The stepped shelf rests above a Connemara marble frieze, which is mounted with a floral tablet, beautifully carved with ribbon tied swags of flowers. Either side of the frieze,the endblocks are carved with urns after the antique, and these stand above the jambs, with tapered pilasters which are finely inlaid with Connemara volutes.
    English, c. 1920.

    View our section showing full range of neo-classical chimneypieces

    Width Height Depth
    External 60 58"
    154 cms
    47 1116"
    121.2 cms
    6"
    15.2 cms
    Internal 38 12"
    97.7 cms
    36 12"
    92.7 cms
  • Stock: 15758

    A large and imposing Victorian Belgian black marble and bronze mantel clock of architectural form. The case is surmounted by a bronze figure of a Roman Centurion who sits on a roof of fishscale tiles. The rest of the case is carved from Belgian black marble and is modelled as an architectural facade, with both corinthian pilasters and columns framing the dial. Behind the glass door, the dial is enameled with blue Arabic numerals. Inside, there is a fine eight day French movement that strikes the hours and the half-hour hours on a single gong.
    English, c.1880.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    14 38"
    36.5 cms
    21 1116"
    55 cms
    6 1116"
    17 cms
  • Stock: 14019

    A striking pattes de lion, or lion paw fireplace in the Louis XVI style. The fireplace is carved from bold bardiglio fiorito marble, which is dove grey with dramatic charcoal veining.
    French, c.1860

    Link to: Antique French chimneypieces inc. Louis XVI, French Empire fireplace mantels.

    Width Height Depth
    External 54 58"
    138.8 cms
    40 38"
    102.5 cms
    14 58"
    37.2 cms
    Internal 38 14"
    97.2 cms
    29 78"
    75.9 cms
  • Stock: 15188

    An unusual cast iron fire grate, its andirons cast in the form of dragons with ringed mouths, which support three bars, the central bar ornately twisted.
    English, c.1840.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    27 58"
    70 cms
    20 38"
    51.7 cms
    14 38"
    36.5 cms
  • Stock: 15762

    A George III style wall mirror, its giltwood and gesso frame very much in the Chippendale manner, topped with a broken pediment surmounted by an urn. Down the side run naturalistic foliate and floral decorations. Original bevelled mirror plate.

    English, c.1890.

    View our collection of: Antique mirrors and console tables

    Width Height Depth
    22 38"
    57 cms
    40 58"
    103 cms
  • Stock: 15763

    A pair of stunning floor standing parcel gilt torchères in the manner of Robert Adam. The neoclassical form is exemplified by the slender sweeping legs which support the urn shaped faux oil reservoir on which the shades rest. The legs are mounted on a faux griotte marble platform base.
    English, c.1920.

    Provenance: Wynn House, St James's, London. Final images shows them in situ. Wynn House was designed by Robert Adam for Sir Watkin William Wynn, 4th Baronet, a wealthy landowner, politician and patron of the arts. Wynn house was once something of a country residence, and Sir Watkin was even known to keep a cow in St James's Park.

    Notes: Can be supplied with torchère light shades, or with the original bowl shaped shades.

    View our collection of: Antique candelabras, candlesticks and lamps

    Width Height Depth
    20 12"
    52 cms
    72"
    183 cms
    20 12"
    52 cms
  • Stock: 15474

    A simply carved Tudor Revival Horton Stone Chimneypiece hewn from five blocks of stone. The only decoration is the elegant spandrels featuring a carved decoration of Tudor Roses to the corners from which emanate trailing leaves. This frames the softly rounded opening. English, circa 1930.

    Notes: Horton stone is a limestone named after quarries at Hornton in north-west Oxfordshire. It is typically a rich tawny brown in colour, with natural variations.

    Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

    Width Height Depth
    External 66 18"
    167.8 cms
    45 1116"
    116 cms
    5"
    12.7 cms
    Internal 42 18"
    107 cms
    33 1316"
    85.8 cms
  • Stock: 15317

    An early 19th century brass fender, with pierced decoration, applied bullseye rosettes and three paw feet
    English, c.1820.

    View our collection of: Antique Fenders, Firescreens and Nursery Guards

    Width Height Depth
    55 78"
    142 cms
    8 1116"
    22 cms
    15 1116"
    40 cms
  • Stock: 15776

    A late 19th century wall mirror with marginal cushion plates, surmounted by a Rococo motif and bordered by a gilt gesso frame with low relief foliate scrollwork and projecting corners.
    English, c.1890.

    View our collection of: Antique mirrors and console tables

    Width Height
    37 58"
    95.5 cms
    53 78"
    137 cms
  • Stock: 15741

    An elegant French set of brass and steel fire tools in the Louis XVI style. The three tools are topped with pineapple finials in brass, as is the toolstand, which is entirely brass in construction ,with elegant naturalistic detailing and a ribbon detail to the shaft.
    French, c.1900.

    View our collection of: Antique Firetools.

    Width Height Depth
    12 78"
    32.7 cms
    26"
    66 cms
    10 1316"
    27.5 cms
  • Stock: 15665

    A pair of large Arts and Crafts copper andirons, possibly with a connection to the Newlyn School in Cornwall. These beautiful and unusual andirons are topped with foliate finials, mounted on obelisk like shafts with splayed feet, profusely decorated with floral and foliate motifs in repoussé work creating a wonderful low relief design. Beautiful quality craftsmanship.
    English, possibly Cornish, c.1890.

    View our collection of: Antique Andirons, Fire Dogs, Alare and Chenets

    Width Height Depth
    11 58"
    29.5 cms
    28"
    71 cms
    30 12"
    77.5 cms
  • Stock: 15572

    A fine and large nineteenth-century Gothic Revival oak bracket clock, with a silvered dial.

    The clock has an eight day, triple fusee, four pillar movement with anchor escapement and chimes the quarters on either eight or four bells, "Westminster chimes" and strikes the hours on a single gong.
    The finely engraved silvered arched top brass dial with Roman numerals has three subsidiary dials, namely; strike or silent, slow or fast, Westminster chime, or chime on 8 bells. Engraved spandrels frame the chapter ring. The case is the perfect incarnation of the Gothic Revival, the cathedral case topped with spires and finials which are supported by cluster pilasters whilst the dial is framed with a foliate ogee window.
    English, circa 1850.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    16 12"
    42 cms
    26"
    66 cms
    9 38"
    24 cms
  • Stock: 15737

    A German Neo-Gothic oak armchair attributed to Edwin Oppler (1831-1880). The chair bears the inscription 'Ernst is das leben, heiter die kunst', or 'Life is Serious, Art is Cheerful' on wonderfully carved banners unfurling amongst Gothic tracery. The motto is taken from Friedrich Schiller's Wallenstein Trilogy of 1800. The chair is beautifully carved and the letter G is inscribed within a shield on the top rail. It has been suggested that this is to indicate George V, son of Ernst August the last King of Hanover.

    German, c.1850. Later upholstery.

    Edwin Oppler was a well-regarded German Jewish Architect, and a proponent of the Neo-Gothic style. He came to know the Gothic style when he worked on the restoration of Notre Dame in Paris. His style then evolved to encompass what had so inspired him in this great Gothic masterpiece. His connection with George V arose when he took over the project of Schloss Marienburg from Conrad Wilhelm Hase in 1864, where he also designs furniture that shares many characteristics with this chair.
    In his career, he went on to design many synagogues, all of which were tragically destroyed during Kristallnacht.

    View our collection of: Antique furniture

    Width Height Depth
    23"
    58.5 cms
    38 58"
    98 cms
    22"
    56 cms
  • Stock: 15747

    An unusual Victorian Fire Tool Stand with Rococo base.
    English, c.1880.

    View our collection of: Antique Firetools.

    Width Height Depth
    11 38"
    29 cms
    25 316"
    64 cms
    9 38"
    24 cms
  • Stock: 15517

    A fine mid-nineteenth century eight-day longcase clock by W.J. Frodsham of Change Alley, London within a mahogany and marquetry case.
    The eight day, triple train, four pillar movement with anchor escapement, chimes the quarters on either eight or four bells, "Westminster chimes" and strikes the hours on a single gong. The 12 inch arched top brass dial with strike / silent lever and four bell chime / eight bell chime lever, has a silvered chapter ring with gilt brass putti and crown spandrels, beneath an oval cartouche engraved with the maker, W.J.Frodsham, Change Alley, London.
    The fine marquetry - almost Rococo in design - depicts two lovers walking within a pastoral scene, and is framed by foliate scrolls and floral sprays.
    English, circa 1840.

    Notes:
    The first recorded clockmaker by the name Frodsham was a William Frodsham, born in 1728 and is believed to have worked as a Journeyman for Justin Vulliamy, who was clockmaker to George III. In the early 19th century, the family were established as clockmakers, and entered a partnership with the well-regarded chronometer makers, the Parkinson’s and the business became Parkinson & Frodsham of 4 Change Alley. After the death of William Parkinson, the firm became W J Frodsham’s in 1842, until he handed the business over to his sons in 1847 the year that those sons were admitted to the Clockmakers’ Company. In subsequent years, the Frodshams exhibited at the Paris Exhibition of 1867 and 1889, developing and international reputation for quality.

    Condition notes: A very slight warp to the bottom of the trunk door.

    width height depth
    20 12"
    52 cms
    95 12"
    242.5 cms
    10 58"
    27 cms
  • Stock: 15643

    A Reflection of American History -

    An ornate convex mirror of grand proportions topped with an eagle on a rocky summit.
    Interestingly the mirror, thought to be of American origins, is decorated with 24 spheres around the frame, whilst another sphere hangs on a chain suspended from the mouth of the eagle. This possibly symbolises the 24 established states of the USA, with the state of Arkansas represented by a ball hanging from the mouth of the eagle, the country's emblem. This shows that Arkansas joining the USA is quite literally hanging in the balance.
    With this information, we can date the mirror to 1835-1836.

    American, 1836. Awaiting restoration, included in the price.

    View our collection of: Antique mirrors and console tables

    Width Height
    23 58"
    60 cms
    42 78"
    109 cms
  • Stock: 15675

    Victorian Eccentricity

    This whimsical fireplace embodies the Victorian period. It is a celebration of marble in its infinite variety, featuring five different marbles, namely, breccia marrone, verde antico, Cornish serpentine, Belgian black and arabescato marble. The wide shelf sits above the gently arched frieze, which is supported by pairs of Serpentine pilasters mounted on generous footblocks.
    Original marble fender included. (Fender measurements: 171cms wide, 15.5cms high, 43cms deep, 72cms deep from wall.)

    English, c.1860.

    View our collection of: Antique Victorian, William IV and Edwardian fireplaces and chimneypieces.

    Width Height Depth
    External 78 18"
    198.5 cms
    48 316"
    122.5 cms
    15 18"
    38.4 cms
    Internal 42 14"
    107.5 cms
    35 38"
    90 cms
  • Stock: 15682

    An unusual and compact cast iron Renaissance Revival fire basket, the arched pediment back decorated with an armorial cartouche and faceted andirons.
    English, c.1860.

    View our collection of: Antique fire grates and log baskets.

    Width Height Depth
    External 28 1116"
    73 cms
    29 12"
    75 cms
    15 1116"
    40 cms
    Back width 26 38"
    67 cms
  • Stock: 15661

    A large cast iron and polished brass fire basket in the neo-classical style, the arched pediment back decorated with laurel sprays and scrolled acanthus corners. Below this, the four barred grate is flanked by neoclassical urnular andirons and is framed by a pierced and scrolled apron.
    English, Circa 1880.

    View our collection of: Antique fire grates and log baskets.

    Width Height Depth
    External 33 1116"
    85.5 cms
    27 58"
    70 cms
    17 14"
    44 cms
    Back Width 18 1116"
    47.5 cms
  • Stock: 15759

    A set of seven Victorian leaded and painted glass window panels, two depicting grapevines, three depicting cherries and two depicting cobnuts. They can be set into a window, or displayed as an ornament, in which case we can fit hooks.
    English, c.1880.

    View of collection of: Antique Doors and Windows.

    Width Height Depth
    7 78"
    20 cms
    9 18"
    23 cms
  • Stock: 15753

    A fine 19th century French boulle red tortoiseshell mantel clock with brass boulle inlay in the Rococo style. The ormolu case mounts are surmounted by an urn finial and the ormolu dial is mounted with enamel numerals and blued steel hands. The movement is a two trained striking movement and is stamped A&N.
    French, late 19th century.

    Notes:
    Boulle work is an inlay process that was developed by the French Cabinet maker to the crown, André Charles Boulle (1642-1732). It involves veneering objects with tortoiseshell and inlaying this surface with gilt brass, brass or pewter in elaborate designs.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    7 12"
    19 cms
    13"
    33 cms
    4 14"
    11 cms
  • Stock: 13110

    A simple and elegant steel fire basket in Adam style with urn finial details and a pierced apron.
    English, c.1900.

    View our collection: Antique fire grates and log baskets.

    Width Height Depth
    External 30 14"
    77 cms
    19 1116"
    50 cms
    14 58"
    37 cms
    Back width 19 18"
    48.5 cms
  • Stock: 15669

    A charming Aesthetic Movement fire grate with a central sunflower radiating from the shaped back plate, which is echoed by the finely cast brass sunflower finials crowning the andirons. These frame the front bars, which are elegantly bowed, and just beneath them are delicate fan spandrels.
    English, c.1890.

    The sunflower was considered the emblem of the Aesthetic Movement in Britain, its proponents believing it to signify lasting happiness and adoration – key principles of aestheticism. The movement embodied the principle of Art for Art's sake, and focused on beauty and harmony in its purest visual form.

    View our collection of: Antique fire grates and log baskets.

    Width Height Depth
    24 38"
    62 cms
    27"
    68.5 cms
    13 38"
    34 cms
  • Stock: 15724

    A large and finely carved 19th century Italian marble lidded urn, decorated with trailing grape vines and and dramatic handles, modelled as grinning and horned satyrs. The body of the urn is carved with two cartouches, one depicting a nymph bathing in a pool whilst a satyr observes, hidden by bullrushes. The other depicts an a satyr and a goat in an amorous and playful embrace. After the antique.

    Italian, c.1850.

    Could be situated in a sheltered spot in a garden or courtyard, but equally suited to an interior setting.

    View our collection of: decorative antiques and furnishings

    Width Height Depth
    28"
    71 cms
    40"
    101.5 cms
    19 1116"
    50 cms
  • Stock: 15629

    A large 19th century fire basket with a simply arched Aesthetic movement back, centred by a sunflower motif. The grate is flanked by two baluster andirons resting on scroll feet.
    English, c.1890.

    View our collection: Antique fire grates and log baskets.

    Width Height Depth
    External 35"
    89 cms
    23 38"
    59.5 cms
    19 1116"
    50 cms
    Back width 19 1116"
    50 cms
  • Stock: 15736

    A simple pair of Neoclassical style solid brass andirons.
    English, circa 1920.

    Link to: Antique Andirons, Fire Dogs, Alare and Chenets

    width height depth
    8 14"
    21 cms
    16 12"
    42 cms
    19 14"
    49 cms
  • Stock: 15732

    A pair of sturdy brass andirons with bulbous finials and faceted in form.
    English, c.1900.

    View our collection of: Antique Andirons, Fire Dogs, Alare and Chenets

    width height depth
    6 1116"
    17 cms
    20 18"
    51 cms
    20 1116"
    52.5 cms
  • Stock: 15598

    An 18th century bronze sundial, the dial plate inscribed Bywater Dawson & Co. Liverpool, on a substantial 19th century cast iron base, mounted on a millstone.
    English, 18th century with 19th century base.

    View our collection of: Antique, old vintage fountains, sculptures, garden furniture and statuary

    Width Height Depth
    without stone base 12 58"
    32 cms
    53 18"
    135 cms
    12 58"
    32 cms
    with stone base 19 1116"
    50 cms
    61"
    155 cms
  • Stock: 15641

    A large and finely carved alabaster figure of a water carrier in classical drapery. The figure is very much after the antique, but more naturalistic than the earlier, grand tour alabaster figures.
    English, c.1860.

    Height
    20 1116"
    52.5 cms
  • Stock: 15640

    A grand 19th century French giltwood and gesso wall mirror or overmantel mirror in the Louis XVI style. The mirror is surmounted by a floral garland and crossed quiver and torch, either side of which are mounted flaming urns. The central mirror plate is bordered by 4 marginal plates for added decorative value. A beautiful mirror that would work as either a wall or an overmantel mirror.
    French, c.1860.

    View our collection of: Antique mirrors and console tables

    Width Height
    37"
    94 cms
    65"
    165 cms
  • Stock: 14318

    A gorgeous Jeckyll Aesthetic movement fireplace insert, the iron cast with Japanese inspired prunus blossom and butterfly motifs and the handpainted blue and white tiles decorated with flowers and foliage.
    English, c.1870 and manufactured by Barnard, Bishop and Barnard.

    View our collection of: Antique Fire grates and Register grates.

    width height depth
    35"
    89 cms
    37"
    94 cms
    2 58"
    6.6 cms
  • Stock: 15660

    A 19th century cast iron fire basket in the Baronial style, fronted by an imposing pair of monopodia wolfound andirons with rings in their mouths. The grate is further embellished with tie baton bars and a decorative backplate surmounted by three pronged finials.
    English, c.1870.

    A similar grate can be seen at Charles Dickens' Eastgate House, Rochester, Kent.

    View our collection: Antique fire grates and log baskets.

    Width Height Depth
    24 1316"
    63 cms
    30 78"
    78.5 cms
    14 1316"
    37.5 cms
  • Stock: 15482

    Abadeh carpet of large size, with flowerhead motifs on red ground, bordered by blue corners and a generous cream border, all profusely decorated with geometric and floral designs. Iranian, c.1950

    Notes: Abadeh carpets were made in Abadeh, south Iran. They are easily recognised by their hexagonal central decoration with a red ground, bordered by blue corners. The ground of the border is oftem white, as are the four medallons in the corner.

    Link to: Carpets and rugs

    Length Width
    117 14"
    298 cms
    79 12"
    202 cms
2018 items