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Antique Sculpture & Carving

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9924: 9924.SCULPTURE TO MAMMON. A large carved Portland Stone overdoor from the Bank Of England building at 1 New Change , London EC4 , opposite St Pauls Ca 8273: 8273. An interesting pair of Japanese street entertainers in spelter . One has its forearm missing , the other some fingertips. They would originally 9760: 9760. A pair of large antique oak caryatid fireplace brackets in the Mannerist style each heavily carved with grotesque animal masks over fruit swags. 8890: 8890 . A pair of early 20c French Art Nouveau patinated metal silhouettes depicting the Arts; Painting and Literature, mounted on polished oak stylise 7947: 7947. A Pair of carved oak Art Deco figures in the manner of Aristide Maillol 1861-1944. 9690: 9690. A large high relief ceramic Keystone of the head of a Putti , after the antique. English 19th century. 9612: 9612. A near pair of richly carved large Oak Socles in the Neo Gothic manner, the decoration of oak leaves terminating in large acorn pendants. Engl 9349: 9349. A white marble sculpted bust of a child, the head turned slightly to the right, on a waisted circular socle, the rear signed J.Gall Sc. <br> Sco 9118: 9118. A large cast bronze Spread Eagle wall plaque, with three Ducal coronets on the breast and wings. Since the early 18c when the signs of a Spread 8637: 8637.CLODION SCULPTURE MAQUETTES : 5 miniature terracota panels after the famous French sculptor Claude Michel also known as Clodion, 1738-1814.<br> 8349: 8349. An ornately carved oak plaque in the Baroque manner. English 19th century. 6355: 6355. A large wood frame plaster plaque depicting a spread Eagle in the Roman manner perched on an abundant fruit garland, with streaming ribbons symb 4307: 4307 . A SET OF THREE LARGE BAROQUE MANNERIST CARVED OAK BRACKETS comprising a pair and a single , the central bracket dated 1679. All three appear to 8904: A lifesize , lifelike carved marble bust of the Roman Emperor Tiberius.<br> The head and shoulders clad in the toga and mail breast plate with the hea 8903: A fine quality life size carved marble bust of Roman Emperor Augustus, boldly carved in Statuary and Breccia marble, seated on a Sarin Colin marble s 9488: 9488 . HOTEI - GOD OF CONTENTMENT AND HAPPINESS. A large carved elm Tibetan figure of Hotei, carrying a cloth sack over his shoulder used to feed the 9364: 9364. A patinated cast iron plaque of the Hungarian German composer Franz Liszt, 1811-1886. The bas relief plaque framed in a separate pretty Florenti 9363: 9363. A MATCHING PAIR OF oval Portrait Plaques of MOZART and HAYDN. The low relief profiles of the 18c Classical Austrian Composers Amadeus MOZART an 9108: 9108. ADAM AND EVE IN DRAMATIC STANCE : A large but less than lifesize sculpted white marble figural group of Adam and Eve in The Garden of Eden in dr 8176: A solid cast iron three dimensional Heraldic Griffin , with folded wings and decorated armoured breastplate. Flemish , early 19th century. 9251: 9251.DOUBLE HEADED EAGLE CREST : A large carved oak twin headed Eagle coat of arms.The double headed Eagle was the emblem of the Byzantine Empire from 9184: 9184. A pair of terracota winged lions in the Baroque manner. Italian 19th century. 9112: A large carved limestone plaque depicting Angels holding a Crown over Neo Gothic floral decoration in the manner of Pugin, over two further kneeling, 9036: OPHELIA : A Pre Raphaelite marble statue of Shakespeares tragic heroine Ophelia, lover of Hamlet. This interpretation somewhat reminiscent of the pai 7882: A set of four well carved pine bearded “deities/river gods/atlanteans” in the Italian Renaissance/Mannerist style, curved in form with palm fronds ov 7814: Seated mill stone grit figure of a boy.<br>English, circa 1880. 8869: A magnificent Alabaster hunting frieze superbly carved in high relief. The scene depicts a young Nobleman aiming his bow in the forest with his huntsm 8449: A pair of 18th century plaster reliefs depicting kneeling angels at prayer. 8353: 8353. A walnut bracket carved in high relief in the Renaissance manner with three female deities supporting a semicircular plinth carved with Greek 8236: A pair of large burnished cast iron lion masks. 19th. century. Next View

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