Antique Wall Tapestries, Panels & Paintings from Westland London

Our collection of Antique paintings and antique tapestry and panels includes fine antique wall tapestries, period oil paintings and decorative panels.

  • Stock: 16260

    A set of four framed hand-coloured copper engravings depicting English country houses and their estates by Johannes Kip, from his Nouveau Theatre de la Grande Bretagne. Published London by J Smith, c.1720.

    Notes: Johannes Kip was a Dutch born engraver who settled in London c.1680, his Nouveau Theatre de la Grande Bretagne is considered one of the most important 18th century English topographical works as it meticulously documented buildings, gardens and other such features lost to the march of time.

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    Width Height
    26"
    66 cms
    23 58"
    60 cms
  • Stock: 16102

    A set of six ornithological copper engravings, depicting five birds drawn and painted by Peter Brown, recorded from specimens collected during Captain Cook's voyages with Joseph Banks. In his publication, Peter Brown asserted that these birds hadn't been recorded before, so these were the first commercially available depictions and descriptions of these birds.
    Peter Brown was a leading zoological artist of his day but the ornithologist George Edwards was also a prominent figure in eighteenth-centruy Britain, and this set includes one engraving by him, of a Great Bustard. The set is a beautiful and fascinating record of the great discoveries of their age.

    Peter Brown, published by B White, 1775, George Edwards, published c. 1751. Copper-engravings, original hand colour.

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    Width Height
    8 18"
    20.5 cms
    10"
    25.5 cms
  • Stock: 15613

    A large eighteenth century neoclassical painting depicting female worshippers bringing offerings to an altar dedicated to the Goddess Minerva; identified by her shield and the owl at her side.

    Italian, 18th century with some restorations and slight craquelure to the surface. Christie's stencil on the stretcher.

    Notes: The canvas is likely to have been designed within an architectural scheme, and may have been set into the wall to form part of an overmantel. Canvases of this type were first installed in Venetian palazzi, as frescoes were not practical with regular flooding, and such canvases could be removed if necessary.

    Width Height Depth
    Frame 69 1116"
    177 cms
    49 1316"
    126.5 cms
    1 316"
    3 cms
    Canvas only 63 316"
    160.5 cms
    43 14"
    110 cms
  • Stock: 15506

    A set of four framed 18th century copper-engravings of exotic birds with original hand colour. This set comprises three engravings from George Edwards', Gleanings of Natural History Containing Figures of Quadrupeds, Birds, Insects, Plants, published by G. Sidney for George Edwards, London, 1758-1764. One engraving from Francois Nicholas Martinet's engraving from the Comte de Buffon's superb work, the Histoire Naturelle des Oiseaux, published in Paris from 1770 to 1786. These are two of the most important ornithological publications of the 18th century, Darwin being a great admirer of both.

    The birds are as follows:

    Francois Nicholas Martinet bird engraving, plate 289, of the "Tyran hupè, de Cayenne" which is Crested Tyrant Flycatcher from Cayenne.

    Frame: 28cm x 32.5cm Engraving: 19.5cm x 24cm

    George Edwards engraving, of "Huming [sic] Birds from Surinam, Published according to act of Parliament 1742 by Geo Edwards".

    Frame: 27.3cm x 31.2cm Engraving: 18.5cm x 22.4cm

    George Edwards engraving, of "The Chinese Teal", published circa 1740.

    Frame: 27.4cm x 31.2cm Engraving: 18.4cm x 22cm

    George Edwards engraving, of "The Alpestris, or Larkof North America" titled ALAUDA. Published circa 1740.

    Frame: 27.4cm x 31.9cm Engraving: 18.5cm x 23cm


    These engravings can be sold individually or as a set.

  • Stock: 14811

    An enchanting, romantic 'Tangled by Roses', oil on board Victorian painting of a maiden wandering in a garden in the manner of John Everett Millais. It bears the monogram J.E.M. and the date 1869 to the bottom right hand corner. English, circa 1860.

    Notes: The handling of the foliage and flowers is extremely fine, with an enormous amount of detail. The image is infused with symbolism, the purity of the girl's white dress and the roses which symbolise love are studded with thorns, to warn of the dangers of love. Ivy is a symbol of eternity and fidelity.

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    width without frame height without frame depth
    15"
    38 cms
    18 12"
    47 cms
  • Stock: 14877

    A wonderfully detailed early Victorian antique folding map of London and its environs in vibrant original hand-colour with original slipcase as pictured.
    Published by G. F. Crutchley, 81 Fleet St London, 1st January 1841.

    The map spans the River Thames from Windsor to Gravesend incorporating all of modern day London including, to name but a few, Fulham and Chelsea, Hampstead, Richmond and The City of London. It clearly shows the great parks of London and is also annotated with fascinating historical references, such as the Millbank Prison at Pimlico designed by Jeremy Bentham as a Panopticon. Also shown are a number of central London farms still in use in the mid-19th century as the city expanded around them. Take a step back in time and let the mind's eye wander through a byegone age.
    English, published in 1841.

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    Width Height
    27 1316"
    70.5 cms
    27 1316"
    70.5 cms
  • Stock: 14779

    A large 18th century Verdure Aubusson Tapestry depicting a forest glade setting with a pool encircled by trees, reeds and irises. This antique tapestry is enclosed within an ornate Louis XV border decorated with bowls of fruits nestling in an abundance of flowers, berries and foliage. French, circa 1720.

    Notes: This type of Verdure Tapestry, also known as garden tapestries, is always distinguished by it's decorative design based on plant forms.

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    Width Height Depth
    65"
    165 cms
    86"
    218.5 cms
    3 18"
    8 cms
  • Stock: 14709

    18th century portrait of a lady in the typical dress of the early Georgian period; chemise, modesty piece, vee décolletage, criss-cross bodice, full sleeves and hair arranged in a long straight coiffure. There is evidence of a pentiment about the shoulders and there is loose, confident brushwork; especially in the drapery. The painting exudes the sparse elegance of the period; there is intelligence in the assertive gaze of the sitter.

    Circle of Michael Dahl (1659-1743). Oil on canvas with 19th century re-lining and frame.
    English school, c.1710

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    width height depth
    With frame 30 18"
    76.5 cms
    35 316"
    89.5 cms
    1 58"
    4 cms
    Without frame 24 1316"
    63 cms
    29 1116"
    75.5 cms
  • Stock: 13362

    A set of eight embossed & painted leather panels, decorated with spear carrying mermen in combat with mythical sea monsters.
    Late 19th century.

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    Width Height Depth
    24 316"
    61.5 cms
    10 38"
    26.5 cms
    0 316"
    0.5 cms
  • Stock: 11628

    A series of five somewhat distressed 18th century Italian possibly Portuguese,embossed and painted antique leather panels, depicting Fete Champetre scenes, within later red lacquer surrounds.
    18th century.

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    width height
    Each Panel 20 12"
    52 cms
    63"
    160 cms
  • Stock: 12550

    A well painted antique Victorian armorial hatchment, within a gilt and ebonised frame, from the19th century with the letters OBHT and the date 1 FEBRII 1852 surrounding a knights helmet set above a shield, with three cross pattee beneath a crown, and a crowned rampant lion dexter. Wear commensurate with age.
    English dated 1852.

    Notes: A hatchment is a large coat of arms, usually painted on a wood and canvas frame, and were carried at the front of the funeral procession after which they were erected over the door of a deceased person's house. Diamond in shaped the hatchment stayed in place for one year, after which it was moved to the parish church where it was usually hung on a wall. Hatchments were used in Britain from the 17th century, and the last recorded use was in 1942 at Over Kellet church in Lancashire. Some churches display numerous hatchments spanning centuries of local gentry families and thus are a good source of information about local history. Look for hatchments over nave arcades or on the walls of transepts.

    Link to: antique wall tapestries, panels and paintings .

    width height
    39 38"
    100 cms
    39 38"
    100 cms
  • Stock: 9747

    A large antique armorial hatchment, oil on canvas from the 18th century. Of diamond form, showing a crown under which is draped an ermine-edged robe set within which are a lion and dragon rampant holding a diamond panel embellished with heraldic motifs. Wear commensurate with age.
    English 18th century.

    Provenance: By repute "The arms on this hatchment are those of John Baker-Holroyd (1735-1821), 1st earl of Sheffield. The arms quarter Holroyd, Elwood and Baker, all impaling North." Holroyd entered the House of Commons in 1780, where he was prominent against Lord George Gordon and the rioters but he is chiefly remembered as the friend and literary executor of Edward Gibbon (author of The History of the Decline and Fall of the Roman Empire), whose memoirs and other works he edited and published. He was created a Peer of Ireland as Baron Sheffield in 1871 and in 1802 he also became a Peer of the United Kingdom, again as Baron Sheffield. In 1816, he was created Viscount Pevensey and Earl of Sheffield in the Peerage of Ireland.

    Notes: A hatchment is a large coat of arms, usually painted on a wood and canvas frame, which was carried at the front of a funeral procession after which they were erected over the door of a deceased person's house. Diamond in shape the hatchment stayed in place for one year, after which it was moved to the parish church where it was usually hung on a wall. Hatchments were used in Britain from the 17th century, and the last recorded use was in 1942 at Over Kellet church in Lancashire. Some churches display numerous hatchments spanning centuries of local gentry families and thus are a good source of information about local history. Look for hatchments over nave arcades or on the walls of transepts.

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    width height
    56"
    142.2 cms
    56"
    142.2 cms
  • Stock: 12040

    A set of six glazed humorous prints in two oak frames. Titled "The Scorcher's Progress" , depicting the 19th century depredations of a rogue cyclist shown in silhouette upsetting the traditional horse drawn traffic of London in six different locations including
    St James Palace - "The Guards at Him";
    The Marble Arch - "The Wheel went very well then";
    Trafalgar Square - "Twas in Trafalgar Square ";
    &
    The Stock Exchange - "A rise in the Market";
    English circa 1900.

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    width height
    36 58"
    93 cms
    14 58"
    37 cms
  • Stock: 11740

    A set of five framed original pastel portrait drawings each a depiction of a Chinese person.
    Each bears the signature E. Young. Circa 1933.

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    width height depth
    14 38"
    36.5 cms
    19"
    48.2 cms
    4 1116"
    12 cms
  • Stock: 9848

    A large oil on canvas armorial Heraldic hatchment. The crescent symbols usually represent either Crusader adventures of the family or a second son. The animal could be a Panther and the gilt foliate decoration is in the Rococo manner indicating a probable date of around 1750. English, mid 18th century.

    Notes: Hatchments were commemorative plaques or canvas panels representing the Heraldic Coats of Arms of prominent noble families placed in public buildings and churches of a locality around the 17th century and later, and were preceded by actual armour, arms and colours..pennants or flags in Medieval times. Many are still to be seen particularly in prestigious country houses and churches in England.

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    Width Height Depth
    Maximum 50"
    127 cms
    50"
    127 cms
    1"
    2.5 cms
  • Stock: 11563

    One of a three printed canvas wall tapestries the Medieval style, this one depicting figures thronging a quayside, loading a sailing ship with baggage & supplies, including a fruit tree, and possibly preparing to migrate to The Americas. See also 11561 & 2.
    Late 19th early 20th century.

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    width height
    35 38"
    90 cms
    39"
    99 cms
  • Stock: 11562

    One of three printed canvas wall tapestries in the Medieval style, this one depicting Medieval figures gatherering grapes and tending the vines in a walled vineyard with a garlanded donkey in attendance.See also 11561 & 3.
    Late 19th early 20th century.

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    width height depth
    54 14"
    138 cms
    60 316"
    153 cms
  • Stock: 11561

    One of three printed canvas wall tapestries in the Medieval style, this one depicting Medieval musicians and servants around a naked female bather in a bath decorated with a lions mask spurting water into a pond in a field of flowers with trees and birds. See also 11562 & 3.
    Late 19th early 20th century.

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    width height
    62 316"
    158 cms
    55 78"
    142 cms
  • Stock: 11354

    An 18th century, possibly much earlier, gros and petit point needlepoint tapestry in the Flemish medieval style, of a lady and courtier flanked by a unicorn and lion bearing standards, in the millefleur tradition of the original, from which it is inspired. The original collection, known as " The Lady and the Unicorn " a series depicting the six senses, this one representing " Hearing ", are displayed in the Musee de Cluny in Paris.

    COMMENTS : Needlepoint tapestry dates from Ancient Egypt, 1600 BC, and was practised by 15th century Flemish craftsmen in this case from designs for the French Court. In this tapestry the lady plays a portative organ on top of a table covered with a Turkish rug. Her maidservant stands to the opposite side and operates the bellows. The lion and unicorn once again frame the scene holding up the pennants. Just as on all the other original tapestries, the unicorn is to the lady's left and the lion to her right - a common denominator to all the tapestries. In our example the positions are reversed. The Lady and the Unicorn: "Hearing" one of the famous series of Hearing, Smell, Sight, Taste, Touch...and Desire. Research continues.

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    width height
    55 12"
    141 cms
    81 18"
    206 cms
  • Stock: 9868

    A demi lune study of figures upon a terrace. Oil on canvas by Francis Fairfax Ivimey, (1867 - 1946) the landscape painter born in St. Austell who lived most of his life in Newquay, Cornwall. Signed.
    English, 1900's

    Notes: Fairfax Ivimey's wife Julia Beatrice Ivimey was a self-taught painter in watercolours who exhibited in London and Paris from 1893.

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    width height
    90 58"
    230 cms
    48 38"
    123 cms
  • Stock: 11259

    A late 19th century framed picture showing the gathering of the hunt. Print on canvas. Signed E.F.Holt 1891. ( Edwin Frederick Holt, British, active1864-1897 ) . He specialised in paintings of dogs, horses and country scenes. Small damages and needs cleaning. English, circa 1891.

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    width height depth
    35 38"
    90 cms
    27 316"
    69 cms
    1 1316"
    4.5 cms
  • Stock: 9422

    A suite of eight embossed polychrome leather panels decorated with exotic birds within floral sprays in the Renaissance manner. These have been backed onto metal liners but not restored retaining their original age patination.
    Flemish 19th century.

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    width height
    17 1116"
    45 cms
    31 14"
    79.5 cms
  • Stock: 9866

    One of two early 19th century reverse glass prints depicting one of the continents 'Africa' the lady in traditional costume. Printed by P Stampa, 74 Leather Lane, London.

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    width height depth
    10"
    25.5 cms
    14 316"
    36 cms
  • Stock: 9757

    A late 18th century reverse print on glass 'Hope', gilt frame. Printed by P. Stampa, No.30, Leather Lane, Holborn, London, Nov 1799.

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    width height depth
    10 316"
    26 cms
    14 316"
    36 cms
  • Stock: 9753

    A small painted ceramic Wall Plaque In Relief, with inspiration from the Bayeux Tapestry....showing King Harold at his coronation with his soldiers and The Archbishop Stigand only months before William of Normandy & his army defeated him at the Battle of Hastings where Harold was killed. The Plaque is in Latin: "Hic Residet Harold Rex Anglorum Stigant Archieps" & translates as "Here Harold Resides King Of England Stigand Archbishop".

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    width height depth
    13"
    33 cms
    9"
    22.8 cms
  • Stock: 3829

    3829 HENRY V. A large oil on canvas portrait in the original Regency gilt frame of Henry V King of England (1413-1422) wearing a medallion with the cross of St George hanging from a chain around his neck.
    He was one of the great warrior kings of medieval England, famous for his victory against the French at the Battle of Agincourt. Born in Monmouth 9th August 1387 the son of the then future Henry IV he died suddenly in Bois de Vincennes near Paris on 31st August 1422 aged 35.
    Provenance: Painted by Benjamin Bernard R.A. it was exhibited at the Royal Academy in 1818, was given to Queens College Oxford by Dr Smith & hung in the Great Hall there. Listed in Vol II of Mrs R L Poole's Catalogue of Oxford Portraits nos 8 & 13.
    English School early 19th century circa 1815.
    Ensuite with Stock No 3828 The Black Prince.

    width height
    with frame 52 316"
    132.5 cms
    67 14"
    171 cms
    without frame 39 38"
    100 cms
    49 38"
    125.5 cms
  • Stock: 3828

    3828. THE BLACK PRINCE . A large gilt framed oil on canvas portrait, in the original Regency gilt frame, of Edward Plantagenet, Prince of Wales, Prince of Aquitaine , aka The Black Prince, born Woodstock Palace 1330, died Palace of Westminster 1376. He was the son of Edward III one of the most successful English Monarchs, in an age of Medieval Heroism and English military supremacy against France, inflicting the ruinous defeats at the Battles of Crecy, and Poitiers. English, early 19th century.

    PROVENANCE : Painted by BENJAMIN BURNELL R.A 1790-1826, exhibited at Royal Academy in 1818, hung at Queens College, Oxford in the Great Hall. Given to the college by Dr Smith, Catalogued " Paintings in Oxford Colleges ".
    Ensuite with Stock No 3829, Henry V.

    width height
    with frame 53 1116"
    136.5 cms
    67 14"
    171 cms
    without frame 41 78"
    106.5 cms
    51 58"
    131 cms
  • Stock: 3691

    THE GREAT FIRE OF LONDON.

    An oil on leather four panel screen depicting The Great Fire of London from across the river Thames.
    19th century, circa 1890.

    Link to: antique wall tapestries, panels and paintings

    WIDTH HEIGHT
    88"
    223.5 cms
    72 316"
    183.5 cms
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Here at Westland London, we think it is important for a period interior to have a selection of antique paintings. Of all the mediums, antique oil paintings certainly have the most presence, often framed in beautiful gilt and gesso. Of our antique paintings for sale, nearly all of them would look beautiful in a number of settings, whether it be above an antique fireplace, hanging in a hallway, or within the intimacy of a study. Antique oil paintings have always been prized objects within an interior, and displayed within principal rooms, so guests might admire them also.

Much like antique paintings, antique tapestries have hung for centuries in grand interiors. England was at the centre of tapestry weaving in the medieval period, and perhaps the most famous tapestry of all, The Bayeux Tapestry, was made on British soil for the Norman Cathedral. Antique French Tapestries, such as Aubusson tapestries, are also well known for being high quality and very desirable and were often more colourful than the Flemish verdure tapestries that often depicted verdant green landscapes and nature. Antique tapestries bring a softness to interiors, showing that fabric need not only be for curtains and furniture!

Antique wall hangings needn’t only be limited to the wall though! Often, when damaged or incomplete, they can be used to upholster a room screen, headboards, and cushions. If you are searching for antique tapestries for sale, UK dealers that are members of organisations such as LAPADA are a good place to start as you know you will be buying good quality pieces from knowledgeable dealers.

Please enjoy browsing our collection of antique oil paintings, wall hangings and tapestries for sale.